Ed Lefkowicz photography

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  • Violin maker Paul Davies, left, of Spur Violins in New York, discusses his new line of electric violins.
    EJL-130315-1145.jpg
  • Visitors examine violins. Violins at Mondomusica ranged from basic student instruments to rare vintage violins.
    EJL-130315-1065.jpg
  • A visitor tries a violin by Florian Leonhard Fine Violins of London.
    EJL-130315-1416.jpg
  • Bows made by Joseph Regh, of Regh Violins. Regh was a physicist who worked for IBM, and brings his scientific training to his violin and bow making.
    EJL-130315-1046.jpg
  • A visitor tries a violin from Scott Cao Violins, from Campbell California. Cao is in the center of the frame, in the green sleeveless sweater.
    EJL-130315-1283.jpg
  • A visitor plays a violin from Scott Cao Violins, from Campbell California.
    EJL-130315-1271.jpg
  • Joseph Regh, of Regh Violins, shows one of his bows. Regh was a physicist who worked for IBM, and brings his scientific training to his violin and bow making.
    EJL-130315-1051.jpg
  • Visitors try instruments at Carriage House Violins, from Newton Upper Falls, Massachusetts.
    EJL-130315-1266.jpg
  • Violins in a rack in Beekman's shop.
    EJL_080212_2985.jpg
  • Visitors framed by violins discuss the show.
    EJL-130315-1087.jpg
  • A man looks at violins in a display case. The Chamber of Commerce of Cremona showed many antique and valuable string instruments from Cremonese makers.
    EJL-130315-1062.jpg
  • Jay Haide, a dealer in fine violins, in his booth.
    EJL-130315-1154.jpg
  • A member of the staff at Paul Dulude, a Boston dealer in violins, plays.
    EJL-130315-1110.jpg
  • A woman looks at a violin displayed by the American Federation of Violin and Bow Makers.
    EJL-130315-1106.jpg
  • A violin from the collection of Nick Frirsz, of Frirsz Music. The violin was made in 1947, and was taken apart and smuggled out of Hungary when the family escaped the communists.
    EJL-130315-1318.jpg
  • Instruments from the Brobst Violin Shop in Alexandria, Virginia.
    EJL-130315-1189.jpg
  • A woman examines a violin displayed by the Chamber of Commerce of Cremona. Cremona, home of Antonio Stradivarius, has long been a center for violin making.
    EJL-130315-1082.jpg
  • A couple examines the scroll of a violin in the booth of the American Federation of Viollin and Bow Makers.
    EJL-130315-1339.jpg
  • Japanese Soloist Madoka Miki plays a violin from Chaconne Co. Ltd. from Nagoya. Several Japanese firms exhibited at Mondomusica.
    EJL-130315-1368.jpg
  • Johnny Weizenecker, a music student at Gettysburg College, tries a violin made by contemporary Genovese luthier Pio Montanari in the booth of Boston's Pal Dulude.
    EJL-130315-1136.jpg
  • Paul Dulude, right, shows a violin to Johnny Weizenecker, a music student at Gettysburg College.
    EJL-130315-1119.jpg
  • Jean Yves Tanguy, a French restorer of musical instruments, in the process of retrieving a sound post that has slipped out of place. The sound post is wedged in place under the bridge, between the face and back of the violin, to transmit sound from the strings to the back.
    EJL-130315-1203.jpg
  • Baroque-style violin bows made of snakewood by Pieter Affourtit of the Netherlands.
    EJL-130315-1041.jpg
  • A bow's horsehair wedged into the tip. The tension will be adjusted with a screw attached to the frog at the other end of the bow.
    EJL_080212_2954.jpg
  • Visitors shop for wood at Tone Wood International. from Cremona.
    EJL-130315-1345.jpg
  • Beekman trying out a newly strung bow.
    EJL_080212_2994.jpg
  • A bow's horsehair waiting to be attached to a bow.
    EJL_080212_2970.jpg
  • A group of bows, covers in shop dust, awaitign repair.
    EJL_080212_2961.jpg
  • Beekman cutting horsehair from a hank to use to restring a bow.
    EJL_080212_2936.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1262.jpg
  • A pestle and sheet of plate glass used for grinding pigments by hand in the booth of Germany's Kremer Pigments. The pigments are ground from traditional materials to fill the  needs of restorers of instruments and fine art.
    EJL-130315-1152.jpg
  • Gordon Carson of Mountain Voice Soundwoods in Valemont, BC, Canada, with samples of spruce. Wood for musical instruments is split from the tree trunk, and adjoining planks are numbered so the grain will be bookmatched in the finished instrument.
    EJL-130315-1029.jpg
  • Edgar Russ, an Austrian-born luthier with a workshop in Cremona, tunes a cello.
    EJL-130315-1010.jpg
  • Beekman preparing to attach a bow's horsehairs to the adjustable  frog.
    EJL_080212_2956.jpg
  • Beekman cutting a wedge to hold the horsehair into a bow's tip.
    EJL_080212_2948.jpg
  • Beekman seizing horsehair for a bow. This end will be wedged into the bow's tip.
    EJL_080212_2938.jpg
  • A contemporary lute made by Gamut Music of Duluth, Minnesota.
    EJL-130315-1405.jpg
  • The bookmatched figured maple back of a cello from Chacoone Co, in Nagoya.
    EJL-130315-1402.jpg
  • Finger planes for sale. These small brass-bodied planes are used to shape small and curved surfaces.
    EJL-130315-1305.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1250.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1240.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1219.jpg
  • A man examines an instrument in the booth of French dealer Jean Yves Tanguy.
    EJL-130315-1199.jpg
  • Maple tonewoods for sale. Maple is often used for sides and backs.
    EJL-130315-1175.jpg
  • Luthier Gabriela Guadalajara shows a viola da Gamba to a show visitor.
    EJL-130315-1043.jpg
  • Pieter Affourtit plays with one of his snakewood baroque-style bows with a "pike" or "swan-bill" head.
    EJL-130315-1037.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1255.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1230.jpg
  • Instruments in the booth at Paul Dulude, a Boston dealer in musical instruments.
    EJL-130315-1142.jpg
  • Tetsu Suzuki, a maker and resstorer of string instruments and bows, plays a double bass.
    EJL-130315-1008.jpg
  • Beekman selecting horsehair from a hank to use to restring a bow.
    EJL_080212_2932.jpg
  • Stephen Beekman resetting the neck of a violin in his shop in Peace Dale, Rhode Island.
    EJL_071205_2018.jpg
  • Stephen Beekman resetting the neck of a violin in his shop in Peace Dale, Rhode Island.
    EJL_071205_2024.jpg
  • Stephen Beekman resetting the neck of a violin in his shop in Peace Dale, Rhode Island.
    EJL_071205_2012.jpg
  • Stephen Beekman resetting the neck of a violin in his shop in Peace Dale, Rhode Island.
    EJL_071205_2044.jpg
  • Stephen Beekman resetting the neck of a violin in his shop in Peace Dale, Rhode Island.
    EJL_071205_2006.jpg
  • Stephen Beekman in his shop in Peace Dale, Rhode Island.
    EJL_071205_2004.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage with Esperanza Spalding.
    EJL-170728-5504.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird and his band on stage.
    EJL-170728-5394.jpg
  • Stephen Beekman in his shop in Peace Dale, Rhode Island.
    EJL_071205_2050.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage with Esperanza Spalding.
    EJL-170728-5471.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage.
    EJL-170728-5430.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird and his band on stage.
    EJL-170728-5336.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage.
    EJL-170728-5130.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage.
    EJL-170728-5108.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage.
    EJL-170728-5098.jpg
  • Victor with his fiddle. He's taking lessons, and wants to learn to play the traditional Nahuatl songs his maternal uncle plays.
    EJL-110604-1027-Edit-Edit.jpg
  • Victor with his fiddle. He's taking lessons, and wants to learn to play the traditional Nahuatl songs his maternal uncle plays.
    EJL-110604-1020.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage with Esperanza Spalding.
    EJL-170728-5482.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird and his band on stage.
    EJL-170728-5325.jpg
  • Rob Moose, Ben Russell (violins), Clarice Jensen (cello), and Nadia Sirota (viola) perform quartets composed by Bryce Dessner, Sufjian Stevens and Nico Muhly at the Brooklyn Academy of Music.
    EJL-130321-1025.jpg
  • Rob Moose, Ben Russell (violins), Clarice Jensen (cello), and Nadia Sirota (viola) perform quartets composed by Bryce Dessner, Sufjian Stevens and Nico Muhly at the Brooklyn Academy of Music.
    EJL-130321-1031.jpg
  • Rob Moose, Ben Russell (violins), Clarice Jensen (cello), and Nadia Sirota (viola) perform quartets composed by Bryce Dessner, Sufjian Stevens and Nico Muhly at the Brooklyn Academy of Music.
    EJL-130321-1063.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1116.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1112.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1095.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1069.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1062.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1049.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1119.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1102.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1073.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1067.jpg
  • Brooklyn, NY - 7 May 2021. The Brooklyn Academy of Music (BAM) started a series of its first live concerts since the COVID pandemic lockdown in conjunction with the Silk Road Project at several sites in the Brooklyn Navy Yard. The 10-minute 1-to-1 concerts feature a single performer playing for a single audience member. Shaw Pong Liu plays an erhu, a kind of Chinese violin, in the former Sweet ‘n Low factory.
    EJL 210507 1057.jpg