Ed Lefkowicz photography

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  • Eddie Palmieri is a New Yorker of Puerto Rican heritage, and has been performing for over 50 years.
    EJL-130803-1415.jpg
  • Esperanza Spalding performing from her new series "Emily's D+Evolution."
    Esperanza_Spalding_03.jpg
  • An art installation using synchronized flashing warning lights, part of the Ideas City festival on Mulberry Street.
    EJL-130504-2034.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. Pictured here is a performance of Bob Marley's “No woman no cry”.
    EJL-170630-1269.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. Pictured here is a performance of Bob Marley's “No woman no cry”.
    EJL-170630-1231.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. Pictured here is a performance of Bob Marley's “No woman no cry”.
    EJL-170630-1177.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. Pictured here is a performance of Bob Marley's “No woman no cry”.
    EJL-170630-1162.jpg
  • A member of the audience after the performance of "Dread Scott Decision" at BAM.
    EJL-121011-1316.jpg
  • Members of the audience after the performance of "Dread Scott Decision" at BAM.
    EJL-121011-1301.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1253.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1246.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1227.jpg
  • Dread Scott reading at Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1225.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1190.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1188.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1180.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1175.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1169.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1164.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1142.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1132.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1119.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1089.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1077.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1064.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1044.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1033.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1030.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1005.jpg
  • Members of the audience after the performance of "Dread Scott Decision" at BAM.
    EJL-121011-1311.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1284.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1267.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1257.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1239.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1234.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1223.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1215.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1213.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1196.jpg
  • Dread Scott reading at Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1186.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1183.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1166.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1127.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1101.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1046.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1024.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1008.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1786.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1726.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1593.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1544.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1528.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1301.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1281.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1278.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1627.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1522.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1484.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1436.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1426.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1420.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1350.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1336.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1294.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance. This exuberant piece was set to a ragtime tune.
    EJL-170630-1285.jpg
  • Brooklyn, NY - 30 June 2017. The BRIC Celebrate Brooklyn! Festival summer concert series featured a performance by Garth Fagan Dance, choreographed by the Tony and Olivier award-winning choreographer of the Broadway hit The Lion King, Garth Fagan. The troupe performed two new pieces, In Conflict and A Moderate Cease, along with some revival pieces, all featuring the company's blend of modern, Afro-Caribbean, and classical dance.
    EJL-170630-1127.jpg
  • Handlers from Snarkitecture stand by an inflated ball on Mulberry Street as a performance in the Ideas City festival.
    EJL-130504-2045.jpg
  • A crowd looks down Jersey Street at a pile of inflated balls, part of a performance by Snarkitecture.
    EJL-130504-2031.jpg
  • A handler starts to move an inflated ball on Jersey Street near the corner of Mulberry Street, part of the Ideas City performance by Snarkitecture.
    EJL-130504-2013.jpg
  • A bystander takes a photo of a pile of inflated balls on Jersey Street, part of an installation and performance by Snarkitecture in the Ideas City festival.
    EJL-130504-2057.jpg
  • Handlers from Snarkitecture slowly move an inflated ball down Mulberry Street as a performance in the Ideas City festival while two bystanders walk by.
    EJL-130504-2040.jpg
  • A crowd looks down Jersey Street at a pile of inflated balls, part of a performance by Snarkitecture.
    EJL-130504-2037.jpg
  • A handler walks slowly in front of an inflated ball on Jersey Street near the corner of Mulberry Street, part of the Ideas City performance by Snarkitecture.
    EJL-130504-2027.jpg
  • A handler stands by inflated balls on Jersey Street near the corner of Mulberry Street, part of the Ideas City performance by Snarkitecture.
    EJL-130504-2008.jpg
  • Handlers stand by inflated balls on Jersey Street near the corner of Mulberry Street, part of the Ideas City performance by Snarkitecture.
    EJL-130504-2006.jpg
  • A handler stands in front of an inflated ball on Jersey Street near the corner of Mulberry Street, part of the Ideas City performance by Snarkitecture.
    EJL-130504-2005.jpg
  • A dance troupe during a performance at the Ideas City festival.
    EJL-130504-1188.jpg
  • Esperanza Spalding during her energetic performance at Celebrate Brooklyn.
    Esperanza_Spalding_10.jpg
  • A man in the audience taking a photo of Esperanza Spalding's performance at Celebrate Brooklyn. Behind him is a small part of the audience.
    Esperanza_Spalding_09.jpg
  • Bassist Petros Klampanis wore a tiger mask through much of the band's performance.
    EJL-130803-1049.jpg
  • Magda Giannikou and her band Banda Magda opened the evening's performance. Giannikou writes her own songs, in Fench, English and Greek.
    EJL-130803-1018.jpg
  • Most of the audience for The Ballets Jazz de Montréal sat under umbrellas for at least part of the performance, which was delayed by rain.
    EJL-130801-2465.jpg
  • Celine Cassone and Alexander Hille of Les Ballets Jazz de Montréal dance in Benjamin Millepied's "Closer". The start of the performance at the outdoor venue was delayed by 30 minutes because of rain.
    EJL-130801-2097.jpg
  • People dying in Barak Marshall's "Harry", performed by Les Ballets Jazz de Montréal.
    EJL-130801-2919.jpg
  • Hanky Panky fans on display in the pedestrian plaza beside the Flatiron Building prior to the performance.
    EJL-120621-1164.jpg
  • Male dancers before the performance.
    EJL-120621-1069.jpg
  • Choeographer Shandfoah Goldman and friends before the performance.
    EJL-120621-1062.jpg
  • Choeographer Shandfoah Goldman and friend before the performance.
    EJL-120621-1060.jpg
  • Costume designer Asa Brown Tornton adjusting a dancer's costume before the performance while mae dancers look on.
    EJL-120621-1048.jpg
  • Choreographer Shandoah Goldman talks to two of the dancers after the performance.
    EJL-120621-1526.jpg
  • A crowd of hundreds filled the pedestrian plaza to watch the performance.
    EJL-120621-1501.jpg
  • Dancers cross E 27th Street by the Museum of Sex on their way to the Flatiron Building. The Museum of Sex was a sponsor of the performance.
    EJL-120621-1123.jpg
  • Panty check prior to the performance. Hanky Panky, the lead sponsor, had specific standards of what could be shown.
    EJL-120621-1088.jpg
  • Male dancers before the performance.
    EJL-120621-1067.jpg
  • Costume designer Asa Brown Tornton adjusting a costume before the performance.
    EJL-120621-1004.jpg
  • Costume designer Asa Brown Tornton adjusting a costume before the performance.
    EJL-120621-1003.jpg
  • A barbershop quartet sang "Standing on the corner, watching all the girls go by" to open the performance and to set the theme for the dance.
    EJL-120621-3117.jpg
  • The pedestrian plaza west of the Flatiron building was filled with spectators for both performances. 23 Skidoo was promoted primarily on social media and as a flashmob event.
    EJL-120621-1366.jpg
  • The  stage for "Dread Scott Decision."
    EJL-121011-1001.jpg
  • EJL-121011-1285.jpg
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