Ed Lefkowicz photography

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  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1902.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1602.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen and Sarah Karbasnikoff in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1753.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Jauris Casanova (left) and Sarah Karbanikoff.
    EJL 190123 1294.jpg
  • Brooklyn, NY - 23 January 2019. Charles-Roger Bour in the foreground in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1194.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1884.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen (on the floor) and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1874.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1807.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Stephane Krähenbühl in the foreground.
    EJL 190123 1703.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1584.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1369.jpg
  • Brooklyn, NY - 23 January 2019. Sarah Karbanikoff in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1341.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Jauris Casanova (left) and Sarah Karbanikoff.
    EJL 190123 1321.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1257.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1240.jpg
  • Brooklyn, NY - 23 January 2019. Gerald Maillet and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1871.jpg
  • Brooklyn, NY - 23 January 2019. Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1865.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen (seated) and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1859.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen (seated) and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1852.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen (seated) and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1819.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Foreground, left to right, Stephane Krähenbühl and Gerald Maillet.
    EJL 190123 1700.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1621.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Gerald Maillet in the foreground.
    EJL 190123 1563.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Foreground, left to right, Stephane Krähenbühl and Gerald Maillet.
    EJL 190123 1551.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1405.jpg
  • Brooklyn, NY - 23 January 2019. Sarah Karbanikoff in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1335.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Jauris Casanova (left) and Sarah Karbanikoff.
    EJL 190123 1296.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Jauris Casanova (left) and Sarah Karbanikoff.
    EJL 190123 1286.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Sandra Faure and Gerald Maillet in the foreground.
    EJL 190123 1261.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1254.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1253.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. From left to right: Charles-Roger Bour, Sandra Faure, Stephane Krähenbühl.
    EJL 190123 1079.jpg
  • Brooklyn, NY - 23 January 2019. Gerald Maillet in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1073.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Sandra Faure in the spotlight.
    EJL 190123 1905.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen and Sarah Karbasnikoff in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1783.jpg
  • Brooklyn, NY - 23 January 2019. Gerald Maillet in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Gerald Maillet in the foreground.
    EJL 190123 1541.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1432.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Charles-Roger Bour in the foreground.
    EJL 190123 1422.jpg
  • Brooklyn, NY - 23 January 2019. Stephane Krähenbühl and Sandra Faure in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1383.jpg
  • Brooklyn, NY - 23 January 2019. Sandra Faure and Jauris Casanova in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1366.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. From left to right: Walter N'Guyen, Sarah Karbasnikoff, Charles-Roger Bour.
    EJL 190123 1082.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen (on the floor) and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1860.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1413.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1394.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Left to right: Stephane Krähenbühl, Walter N'Guyen, Gerald Maillet.
    EJL 190123 1364.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1168.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. The participantys enter the space prior to the performance.
    EJL 191211 1009.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. From left to right: Gerald Maillet, Sandra Faure, Jauris Casanova, Sarah Karbasnikoff.
    EJL 190123 1291.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1183.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. From left to right: Stephane Krähenbühl, Charles-Roger Bour, Jauris Casanova, Sarah Karbasnikoff, Gerald Maillet, Walter N'Guyen.
    EJL 190123 1140.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. From left to right: Stephane Krähenbühl, Charles-Roger Bour, Jauris Casanova, Sarah Karbasnikoff, Gerald Maillet.
    EJL 190123 1132.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. From left to right: Stephane Krähenbühl, Jauris Casanova, Sarah Karbasnikoff, Gerald Maillet.
    EJL 190123 1130.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1214.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1132.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1161.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1030.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1028.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1027.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1025.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1022.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1020.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1015.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1012.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1007.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1003.jpg
  • The audience before the start of Samuel Beckett's "All That Fall" in the Fishman Space at the Brooklyn Academy of Music. The design was by Aedin Cosgrove.
    EJL-121219-1060.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1183.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A basin of washwater backstage.
    EJL 191211 1265.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1204.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1015.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1013.jpg
  • Samuel Beckett's "All That Fall" in the Fishman Space at the Brooklyn Academy of Music. The design was by Aedin Cosgrove.
    EJL-121219-1120.jpg
  • Samuel Beckett's "All That Fall" in the Fishman Space at the Brooklyn Academy of Music. The design was by Aedin Cosgrove.
    EJL-121219-1106.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1196.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1166.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver and what seems to be a hank of human hair backstage.
    EJL 191211 1281.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver, a bird's claw, and some dried seahorses backstage.
    EJL 191211 1275.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a bunch of grass, backstage.
    EJL 191211 1266.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props being moved backstage to be reset for the next performance.
    EJL 191211 1260.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Detail of two props.
    EJL 191211 1255.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1298.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1295.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1249.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1238.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1289.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1219.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1218.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a cleaver—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1087.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a block of granite—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1077.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1039.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1038.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1037.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1035.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1033.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1032.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1024.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1023.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1008.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1006.jpg
  • Dread Scott Decision, a participatory performance that looks at "the contradiction of a country that was ostensibly founded on democracy but that also has slavery woven into its founding document," at the Brooklyn Academy of Music's Fishman Space.
    EJL-121011-1284.jpg
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