Ed Lefkowicz photography

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  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1039.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1035.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1032.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1010.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1040.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1014.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1002.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1033.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1030.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1029.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1025.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1023.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1018.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1015.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1009.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1006.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1038.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1037.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1036.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1034.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1031.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1028.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1027.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1026.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1024.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1022.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1021.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1020.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1019.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1017.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1016.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1013.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1012.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1011.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1008.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1007.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1005.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1004.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1003.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1001.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1289.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver and what seems to be a hank of human hair backstage.
    EJL 191211 1281.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a mason's hammer, a deer hoof, and a block of granite backstage.
    EJL 191211 1271.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1249.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1228.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1215.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1191.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1114.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a mason's hammer—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1079.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a block of granite—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1077.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1022.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a bunch of grass, backstage.
    EJL 191211 1266.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a cleaver—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1087.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver, a bird's claw, and some dried seahorses backstage.
    EJL 191211 1275.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Detail of two props.
    EJL 191211 1255.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1298.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1295.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1238.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1219.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1218.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1214.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1125.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including hank of what seems to be humn hair backstage.
    EJL 191211 1278.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a mason's hammer, a deer hoof, and a block of granite backstage.
    EJL 191211 1270.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A basin of washwater backstage.
    EJL 191211 1265.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1204.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a facilitator blows the remains of a green powder from his hand.
    EJL 191211 1168.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1161.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1151.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here squeeze bottles filled with different scents—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1134.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1120.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a bunch of grass—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1106.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a bunch of grass—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1100.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here rocks of varying shapes and sizes—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1064.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1030.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1015.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A facilitator brings in boxes of props.
    EJL 191211 1014.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. The participantys enter the space prior to the performance.
    EJL 191211 1009.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props being moved backstage to be reset for the next performance.
    EJL 191211 1260.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1908.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1659.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1604.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1533.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1011.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1008.jpg
  • Brooklyn, NY - 23 January 2019. Sandra Faure and Jauris Casanova in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1366.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Jauris Casanova (left) and Sarah Karbanikoff.
    EJL 190123 1321.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1257.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1917.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen (on the floor) and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1874.jpg
  • Brooklyn, NY - 23 January 2019. Gerald Maillet and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1871.jpg
  • Brooklyn, NY - 23 January 2019. Walter N'Guyen (seated) and Charles-Roger Bour in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1859.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Foreground, left to right, Stephane Krähenbühl and Gerald Maillet.
    EJL 190123 1700.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. Gerald Maillet in the foreground.
    EJL 190123 1563.jpg
  • Brooklyn, NY - 23 January 2019. Sarah Karbanikoff in the final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1341.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space.
    EJL 190123 1253.jpg
  • Brooklyn, NY - 23 January 2019. The final rehearsal prior to the New York premiere of Director Emanuel Demarcy-Mota's Ionesco Suite at the Brooklyn Academy of Music's Fishman Space. From left to right: Stephane Krähenbühl, Charles-Roger Bour, Jauris Casanova, Sarah Karbasnikoff, Gerald Maillet.
    EJL 190123 1132.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1921.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1793.jpg
  • Brooklyn, NY - 23 January 2019. Director Emanuel Demarcy-Mota directs the cast of the Ionesco Suite in the final rehearsal prior to the New York premiere of the play.
    EJL 190123 1681.jpg
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