Ed Lefkowicz photography

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  • Planetarium, a series of songs composed by Bryce Dessner, Sufjian Stevens, and Nico Muhly at the Brooklyn Academy of Music (BAM).
    BAM-Planetarium-130321-1106.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1030.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1025.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1022.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1019.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1014.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1008.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1027.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1021.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1020.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1017.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1013.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1012.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1009.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1005.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1004.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1003.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1001.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1031.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1029.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1028.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1026.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1024.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1023.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1018.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1016.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1015.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1011.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1010.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1007.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1006.jpg
  • Brooklyn, NY – 18 November 2015. Real Enemies, music by Darcy James Argue, written and directed by Isaac Butler, film design by Peter Negrini, scenic and lighting design by Maruti Evans, costume design by Sydney Maresca, at the Brooklyn Academy of Music's BAM Harvey Theater. Performed by Darcy James Argue's Secret Society.
    Real-Enemies-BAM-20151118-1002.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1234.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1218.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1171.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1166.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1140.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1117.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1104.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1064.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1040.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1022.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1233.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1227.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1215.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1212.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1168.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1150.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1124.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1091.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1090.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1078.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1073.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1026.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1006.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1249.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1247.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1232.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1229.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1223.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1216.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1180.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1172.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1152.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1138.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1128.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1115.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1068.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1048.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1034.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1005.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1134.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Finley Tarr as Flora, Moe Angelos as Mrs. Grose. Lucia Roderique as Governess.
    EJL 181212 1336.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic.Left to right: Finley Tarr as Flora, Joe Solava as Miles; projected on the screen is Lucia Roderique as Governess.
    EJL 181212 1298.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic.Left to right: Joe Solava as Miles and Finley Tarr as Flora, Hannah Heller as Lecturer.
    EJL 181212 1128.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Joe Solava as Miles.
    EJL 181212 1373.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic.Left to right: Joe Solava as Miles, Finley Tarr as Flora, Sean Donovan as Lecturer, Hannah Heller as Lecturer, Moe Angelos as Mrs. Grose.
    EJL 181212 1316.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Moe Angelos as Mrs. Grose.
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  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Sean Donovan as Lecturer.
    EJL 181212 1253.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic.Left to right: Joe Solava as Miles, Finley Tarr as Flora, Moe Angelos as Mrs. Grose, Hannah Heller (seated) as Lecturer, Lucia Roderique as Governess.
    EJL 181212 1244.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Lucia Roderique as Governess; projected on the scrim is Finley Tarr as Flora.
    EJL 181212 1234.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Lucia Roderique as Nanny.
    EJL 181212 1220.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic.  Moe Angelos as Mrs. Grose.
    EJL 181212 1207.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Moe Angelos as Mrs. Grose, Lucia Roderique as Governess.
    EJL 181212 1198.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Lucia Roderique as Governess, Sean Donovan behind the scrim as Quint.
    EJL 181212 1188.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Lucia Roderique as Governess.
    EJL 181212 1112.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Lucia Roderique as Governess.
    EJL 181212 1100.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic.Left to right: Joe Solava as Miles and Finley Tarr as Flora.
    EJL 181212 1087.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Lucia Roderique as Nanny, Sean Donovan as Uncle, Hannah Heller as Aunt.
    EJL 181212 1023.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Hannah Heller as Aunt.
    EJL 181212 1020.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Joe Solava as Miles and Lucia Roderique as Governess.
    EJL 181212 1394.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Lucia Roderique as Governess and Joe Solava as Miles.
    EJL 181212 1386.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Lucia Roderique as Governess, Sean Donovan as the voice of Miles. Projected on the scrim is Joe Solava as Miles.
    EJL 181212 1329.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic.Left to right: Finley Tarr as Flora, Joe Solava as Miles. Moe Angelos as Mrs. Grose.
    EJL 181212 1279.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Sean Donovan as Lecturer, Joe Solava as Miles.
    EJL 181212 1269.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Sean Donovan as Lecturer, Finley Tarr as Flora.
    EJL 181212 1258.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Hannah Heller as Aunt, Sean Donovan as Uncle,  Lucia Roderique as Nanny,
    EJL 181212 1224.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Hannah Heller as Lecturer, Moe Angelos as Mrs. Grose.
    EJL 181212 1165.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Finley Tarr as Flora, Joe Solava as Miles. Moe Angelos as Mrs. Grose, Lucia Roderique as Governess.
    EJL 181212 1078.jpg
  • Brooklyn, NY - 12 December 2018 Dress rehearsal of Strange Window: The Turn of the Screw, at BAM Harvey Theater, produced by The Builders Association, based on the novella by Henry James. Directed by Marianne Weems; written by James Gibbs; created by Moe Angelos, James Gibbs, Marianne Weems, and the Company; sound design and original music composition by Dan Dobson; video design by Austin Switser; lighting by Jennifer Tipton; scenic design by Neal Wilkinson; costume design by Andrea Mincic. Left to right: Finley Tarr as Flora and  Joe Solava as Miles.
    EJL 181212 1070.jpg
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